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Hard Drive ((Tatiana Hargreaves, Sonya Badigian, Nokosee Fields and Aaron Tacke) / Michael Daves

All Ages
Sunday, December 29
Doors: 6:30pm Show: 7pm
$12 to $20
Hard Drive (Tatiana Hargreaves, Sonya Badigian, Nokosee Fields and Aaron Tacke)
 

From brother duets to raging fiddle tunes, Hard Drive brings a sense of deep intuition and silliness to the world that encompasses old-time, country, and bluegrass. The Bluegrass Situation describes the band as “a delightful subversion of our expectations of what traditional bluegrass is supposed to be.” Hard Drive serves up a “high-octane bluegrass-old-time style, delivered with deep intuitive insight, manic exploratory zeal and seriously powerhouse instrumental (and vocal) chops but also, importantly, with an abundant and overwhelming sense of fun.” [Folk Radio UK]. They float gently around a Bermuda-Triangle-type spacetime warp in central North Carolina, and they are constantly expanding at the approximate pace of the universe.

 

Michael Daves

Born in Atlanta, Georgia, Michael Daves grew up playing bluegrass in the grand old tradition of staying up late & singing loud. Although he’s since moved north, the Southern roots permeate his music, however traditional or experimental.  Heralded as “a leading light of the New York bluegrass scene” by the New York Times, Daves has garnered attention for his work with Chris Thile, Steve Martin, Tony Trischka, and others in addition to his solo performances. Daves’ most recent project is a two-album set, Orchids and Violence on Nonesuch Records. Both discs are produced by Daves and have identical track listing of mostly traditional bluegrass songs. The first features straightforward interpretations of them and was recorded live to tape in a 19th-century church by Daves and a band of roots-music innovators: bassist Mike Bub, fiddler Brittany Haas, mandolinist Sarah Jarosz, and banjo player Noam Pikelny. The second disc was recorded in Daves’ home studio and includes drums and electric instruments, mostly played by Daves, taking a raw, experimental rock approach to the same old-time material. “The identical track listing makes for a good comparison study,” says the New York Times music critic Nate Chinen in his review, “and to his credit, it can be hard to pick which version of a tune is best.”

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