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DUNUMS RECORD RELEASE PARTY w/ TRE CHARLES & MELTDOWN RODEO

All Ages
Friday, January 10
Doors: 6:30pm Show: 7pm
$12 to $15
Its an album release party – you listened to it – you love it – its time to party – the band is cooking for you – raising money, mutual aid for displaced Palestinians – door X$$$$ – food is donation based! 
 
 
Durham, NC’s Palestinian-American post-punk band DUNUMS release I wasn’t that thought, their fourth full-length album, via Sleepy Cat Records. IWTT is a massive album, though not in duration, budget, or personnel. And though it’s enthusiastically loud and angular, its immensity is subtle. This album’s power is its evocation of scale, like a loved one’s iris mirroring Jupiter’s relentless storm in miniature. Featured recently on NPR Live Sessions, the album has already received enthusiastic praise from an array of tastemakers including V13, and The Daily Tar Heel with It’s Psychedelic Baby calling it “a deep dive into raw, emotional landscapes, shaped by personal and political turmoil.”
Led by self proclaimed “hot, sad, mad, glad diaspora dad” Sijal Nasralla (The Muslims), DUNUMS emerged in 2009 in direct response to events commonly known as “summer in Gaza” or “revolution in Syria.” Nasralla wrote nearly all the songs on IWTT from the perspective of his daughter. In his words, “Most of the album is from the perspective and voice of Tasneem — her wonder, earliest impressions of our world, her first hurts, her big messes, our traumas, and what life feels like when change is overwhelming. There are songs here on love – its projections and protections, the kind of love I have for myself, the way it is our magnet towards the world we all deserve and don’t have right now.”
In Arabic, “dunum” (dūnam) is an arbitrary unit of land measurement, approximately 1 Hectare, used in different ways to quantify space among villages in Palestine. A dunum can be the shrinking or exploding of space, a personal testament to the tremendous land loss, and/or the emotional/material transformation brought on by zionist settler-colonialism.
 

Tre. Charles is an Alternative/Indie Soul artist who dives into the depths of his soul and invites you into his world with an expressive blend of warm and soulful undertones, profound and powerful lyrics, and emotive crooning; all of which helps you navigate your way through the encompassing experience. Growing up along the East Coast from city to city, Tre. Charles has been exposed to a myriad of different customs and cultures. It is from these experiences that he has cultivated a sound of his own, which pays homage to his nomadic upbringing and lifestyle. With Charles not having been formally trained in music, it adds to his unassuming yet commanding allure. His sound has drawn comparisons of modern talents like Sampha, Hozier, and James Blake but also glints of classic pioneers like Muddy Waters and Lauryn Hill. 

 
Kym Register + Meltdown Rodeo is a transgressive and distorted country music outfit based in North Carolina that places queer storytelling at the forefront. Whether grappling with the constrictions of gender expressions on dating apps (“How Do You See Me”), evoking the semi-autobiographical loneliness of Dorothy Allison’s Carolina bastards (“Maureen”), or daring white folks to “get right with their history of compliance in racial capitalism” (“Loamlands”), Register affirms that songwriting, at its best, is a gross but necessary confrontation.
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