Saxophonist, composer and improviser Cole Pulice traffics in shimmering, otherworldly beauty. On Land’s End Eternal, their first album for Leaving Records (releasing May 9th), the Oakland-based artist expands their compositional palette beyond signal-processed saxophone to include layers of electric guitar and lush choral arrangements. The result is a prismatic collection of pastoral chamber jazz in six parts. Cole’s previous release, a 22-minute electroacoustic odyssey titled If I Don’t See You in the Future, I’ll See You In the Pasture (Longform Editions, 2023), was named ‘Best New Music’ by Pitchfork and included in the publication’s Best Songs Of The 2020s. Cole has also released a smattering of solo and collaborative work on beloved labels including Moon Glyph, Aural Canyon and Cached Media. Their performance history includes appearances at Pitchfork Music Festival (UK), Rewire (NL), ÜBERJAZZ (DE), Drone Not Drones (US), & Noise Pop Festival (US).
Nathan Bowles is a multi-instrumentalist musician and teacher living in Durham, North Carolina. His work, both as an accomplished solo artist and as a sought-after ensemble player, explores the rugged country between the poles of Appalachian old-time traditions and ecstatic, minimalist drone. Although his recordings prominently feature his idiosyncratic approach to clawhammer banjo, Bowles is also widely recognized as a versatile, deep-in-the-pocket drummer; while he considers himself first and foremost a percussionist, banjo remains a natural extension of his percussive practice. His recent solo sets incorporate a mix of original and traditional banjo material with homemade-tape-loop/keyboard accompaniment.